The Builders

Ellen Glasgow

Ellen Anderson Gholson Glasgow

The Builders

BOOK FIRST

APPEARANCES

CHAPTER I

Caroline

THE train was late that day, and when the old leather mail pouch was brought in, dripping wet, by Jonas, the negro driver, Mrs. Meade put down the muffler she was knitting, and received it reluctantly.

"At least there aren't any bills at this time of the month," she observed, with the manner of one who has been designed by Providence to repel disaster.

While she unbuckled the clammy straps, her full, round face, which was still fresh and pretty in spite of her seventy years, shone like an auspicious moon in the dusky glow of the fire. Since wood was scarce, and this particular strip of southside Virginia grew poorer with each year's harvest, the only fire at The Cedars was the one in "the chamber," as Mrs. Meade's bedroom was called. It was a big, shabby room, combining, as successfully as its owner, an aspect of gaiety with a conspicuous absence of comforts. There were no curtains at the windows, and the rugs, made from threadbare carpets, had faded to indeterminate patterns; but the cracked mahogany belonged to a good period, and if the colours had worn dim, they were harmonious and restful. The house, though scarred, still held to its high standards. The spirit of the place was the spirit of generous poverty, of cheerful fortitude.

The three girls on the hearthrug, knitting busily for the War Relief Association, were so much alike in colouring, shape, and feature, that it was difficult at a casual glance to distinguish Maud, who was almost, if not quite, a beauty, from Margaret and Diana, who were merely pretty and intelligent. They were all natural, kind-hearted girls, who had been trained from infancy to make the best of things and to laugh when they were hurt. From the days when they had played with ears of corn instead of dolls, they had acquired ingenuity and philosophy. For Mrs. Meade, who derived her scant income from a plantation cultivated "on shares" by negro tenants, had brought up her girls to take life gaily, and to rely on their own resourcefulness rather than on fortuitous events.

"Here is a nice fat letter for Caroline, and it looks as if it weren't an advertisement." With one plump hand she held out the letter, while she handed the dripping mail bag to Jonas. "Bring some wood for the fire, Jonas, and be sure to shut the door after you."

"Dar ain' no mo' wood, ole Miss."

For an instant Mrs. Meade stopped to think. "Well, the garden fence is falling down by the smoke-house. Split up some of the rails. Here is your letter, Caroline."

A woman's figure, outlined against the rocking branches of an old cedar beyond the window, turned slowly toward the group on the hearthrug. In Caroline's movements, while she lingered there for a moment, there was something gallant and free and spirited, which was a part of the world outside and the swaying boughs. Though she was older than the three girls by the fire, she was young with an illusive and indestructible grace of the soul. At thirty-two, in spite of the stern sweetness about her thin red lips, and the defiant courage which flashed now and then from the shadowy pallor of her face, one felt that the flame and ardour of her glance flowed not from inward peace, but from an unconquerable and adventurous spirit. Against the grey rain her face seemed the face of some swiftly changing idea, so expressive of an intangible beauty was the delicate curve of the cheek and the broad, clear forehead beneath the dark hair, which grew low in a "widow's peak" above the arched eyebrows and the vivid blue of the eyes. If there was austerity in the lines of her mouth, her eyes showed gaiety, humour, and tenderness. Long ago, before the wreck of her happiness, her father, who had a taste for the striking in comparisons, had said that Caroline's eyes were like bluebirds flying.

The letter could wait. She was not interested in letters now, rarely as they came to her. It was, she knew, only the call to a p