Sir Christopher: A Romance of a Maryland Manor in 1644
Maud Goodwin
Maud Wilder Goodwin
Sir Christopher: A Romance of a Maryland Manor in 1644
Preface
On a bluff of the Maryland coast stand a church, a school, a huddle of gravestones, and an obelisk raised to the memory of Leonard Calvert. These alone mark the site of St. Mary's, once the capital of the Palatinate.
It is near this little town, about the middle of the seventeenth century, that my story begins, among the feuds then raging between Catholic and Protestant, Cavalier and Roundhead, Marylander and Virginian. The Virginians of that day were but a generation removed from the pioneers who suffered in the massacre of 1622; and the sons and daughters of those early settlers whose lives were traced in "The Head of a Hundred"[1 - Published 1895.] appear in the present romance.
The adventures of Romney Huntoon, of the Brents, and, most of all, of Christopher Neville and Elinor Calvert, furnish the material of my story; but I venture to hope that the reader will feel beneath the incidents and adventures that throbbing of the human heart which has chiefly interested me.
CHAPTER I
ROBIN HOOD'S BARN
Through the January twilight a sail-boat steered its course by the light of a fire which blazed high in the throat of the chimney at St. Gabriel's Manor. Within the hall, circled by the light from the fire, a Danish hound stretched its lazy length on the floor, and, pillowing his head against the dog's body, lay a boy eight or nine years old.
He was a plain laddie, with a freckled nose, a wide mouth, and round apple cheeks over which flaxen curls tumbled in confusion. His big eyes, the redeeming feature of the face, were just now fixed upon the shadows cast by the motion of his joined hands on the wall. At length the lips parted over a row of baby teeth with a gap in the centre, through which the little tongue showed blood-red, as the boy laughed long and loud.
"Thee, Knut!" he lisped, with that occasional slip of the letter s which was a lingering trick of babyhood and cost him much shame, "is not that broad-shouldered shadow like Couthin Giles? And the tall one, – why, 'tis the very image of Father Mohl! And the short one ith Couthin Mary. Look how she bows as she goes before the father! And what a fine cowl I have made of my kerchief!"
Unconscious of observation as the boy was, he was being closely watched from two directions. In the shadow of the settle by the fire sat a tonsured priest, holding before him a breviary over the top of which he was contemplating the boy on the floor; opposite the priest, on the landing of the stairs, a woman leaned on the balustrade, following with absorbed interest every movement of the chubby hands, and every expression of the childish face, which bore a burlesqued resemblance to her own. After a moment the woman gathered her skirts closer about her and stealing down the winding stair, crept up behind the boy and clasped both hands playfully over his eyes.
"Who is it?" she asked gaily.
"Mother!" cried the child, wrenching himself free only to jump up and throw himself into the arms outstretched to receive him. "Didst fancy I was like to mithtake thy hands?" he asked. "No, faith! Father Mohl's hands are long and cold, and Couthin Mary's fingers are stiff and hard, no more like to thine than a potato to a puff-ball."
"Hush, Cecil! Hush, little ingrate!" whispered the mother, clapping her hands this time over his lips. "I would not thy Cousin Mary heard that speech for a silver crown." Nevertheless, she smiled.
Elinor Calvert, as she stood there with one hand on her son's shoulder and the other bending back his face, looked like some sunshiny goddess. Her dress well became her height. She wore a long petticoat of figured damask, beneath a robe of green stuff. Her bodice, long and pointed, fitted the figure closely, and the flowing sleeves of green silk fell back from round white arms. Around her neck was a string of pearls, bearing a heart-shaped miniature set also in pearls, and held to the left side of her bodice by a broo