The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 472, January 22, 1831
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The Mirror of Literature, Amusement, and Instruction / Volume 17, No. 472, January 22, 1831
CHRIST CHURCH, DONCASTER
(From the Gentleman's Magazine.)
The town of Doncaster has been long celebrated for its beauty and cleanliness, for its striking approach from the south, its magnificent Grand Stand, and celebrated Race Course, its public buildings, its venerable Gothic Church, and stately tower; and latterly, by the erection of a beautiful Gothic Church, with an elegant spire, giving an additional feature to the town from every approach.
This new Church was founded and endowed by a benevolent individual of the name of Jarrett, whose ancestors had for a number of years been connected with the town of Doncaster. A monument in the old church states that a brother of the founder was an alderman of this borough. John Jarrett, Esq. the founder of Christ Church, was in early life a manufacturer at Bradford; subsequently, during the war, he became a partner in the extensive ironworks carried on at Low Moor, near Bradford, under the firm of Jarrett, Danson, and Hardy, where he acquired a very large fortune. Retiring from business some years ago, he returned to his native town, to enjoy the fruits of his honest industry; and during a period of several years, he, by acts of kindness and benevolence, acquired the respect and esteem of his fellow-townsmen. It pleased the Great Disposer of events to terminate his life before the completion of this his last pious work. The first stone of the church was laid on the 9th of October, 1827; and the founder died on the 15th of January, 1828, at the age of eighty-three. The sums he gave were, 10,000l. for the building, and 3,000l. for the endowment.
The site of the church, at the point where the Thorne road branches from the great North road, is particularly fine and open, occupying about two and a half acres of ground, surrounded by wide and spacious public roads. The style of architecture adopted is that which prevailed in the fourteenth century. The stone used is from the celebrated quarries of Roche Abbey.
The plan of the church comprises a tower, nave, two side-aisles, and a chancel; the latter, together with two vestries, forms a semi-octagonal projection, which gives the east end a multangular and unusual appearance. There are six windows to each aisle, and a seventh at the north-east and south-east vestries. Each of these is divided horizontally by two cross-mullions, and thereby formed into twelve lights; the centre three are square quartrefoils; and the tracery at the head forms three other quartrefoils. The east window is of six principal lights, and the upper part spread out in tracery.
The principal entrance is through a spacious octangular porch, the whole size of the tower, which is groined in imitation of stone. The entrance to the galleries and side-aisles is by the doors on the north and south sides of the church.
The size of the church from the tower to the chancel, in the interior, is ninety-four feet long, and fifty-two wide, with galleries at the south and north sides and west end. The accommodation is for one thousand persons, of which three hundred seats are free and unappropriated. The ceiling above the nave is divided into square compartments, by bold ornamented beams, with bosses at the intersection, which are painted in imitation of oak. The side-aisles are groined in imitation of stone, having bosses at the intersection of the ribs, with corbels for the ribs to rise from.
The pulpit, reading, and clerk's desks accord in style with the building, and are placed in the centre of the middle aisle, which is ten feet wide. A handsome stone font is placed in front of the west entrance.
We cannot conclude this account without expressing our admiration of this beautiful specimen of modern architecture, which, although not free from defects, possesses architectural merit in a very high degree. The uniform correctness of style in the detail, the beautiful a