The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 394, October 17, 1829
Various
Various
The Mirror of Literature, Amusement, and Instruction / Volume 14, No. 394, October 17, 1829
LORD GROSVENOR'S GALLERY, PARK LANE
At the commencement of our Twelfth Volume, we took occasion to allude to the public spirit of the Earl of Grosvenor, in our description of his splendid mansion—Eaton Hall, near Chester. We likewise adverted to his lordship's munificent patronage of the Fine Arts, and to the erection of the Gallery which forms the subject of the annexed Engraving.
The Gallery forms the western wing of Lord Grosvenor's spacious town mansion in Park Lane. It is from the designs of Mr. Cundy, and consists of a colonnade of the Corinthian order, raised upon a plain joined stylobate. Over each column of the principal building is an isolated statue with an attic behind them, after the manner of the ancient building called by Palladio the Forum Trajan at Rome. On the acroteria of the building are vases on a balustrade, and between the columns is a series of blank windows with balustraded balconies and triangular pediments, which Mr. Elmes thinks are so introduced as to disfigure the other grand parts of the design. Above these are sunk panels, with swags or garlands of fruit and flowers. Mr. E. is likewise of opinion that, "but for the stopped-up windows, and the overpowering and needless balustrade over the heads of the statues, this building would rank among the very first in the metropolis; even with these trifling drawbacks, that can easily be remedied before the whole is completed, it is grand, architectural, and altogether worthy of its noble proprietor."
The reader need not be told that the above Gallery has been erected for the reception of the superb Grosvenor collection, the first effectual foundation of which was laid by the purchase of the late Mr. Agar's pictures for 30,000 guineas, and it has since been gradually enlarged until it has become one of the finest collection in England. It is not confined to works of the old masters, but embraces the best productions of some of the most celebrated modern painters. The Earl of Grosvenor has, for some years, been in the habit of admitting the public in the months of May and June, to inspect his pictures, under certain restrictions.
The Picture Gallery is but a portion of the improvements contemplated by Lord Grosvenor. The mansion, in the distance of the Engraving is, we believe, to be rebuilt in a correspondent style with the Gallery, and the whole when completed, will be one of the most splendid establishments in the metropolis.
Indeed, the recent embellishment of several mansions in Park Lane is already indicative of the improved taste of their distinguished occupants. A few years since the Lane for the most part consisted of unsightly brick fronts; but stone and plaster encasements have given it the appearance of a new neighbourhood.
HENRY JENKINS
(For the Mirror.)
A table showing the various changes in his religion, which by the statute were required of Henry Jenkins, of Ellerton-upon-Swale, in the county of York, in compliance with the principle, that the English Constitution is essentially identified with the religion of the state, and making it his bounden duty (as that of every subject) to conform to it. Henry Jenkins was born in 1501, and died at the age of 169, in 1670. He consequently was required by law, to adopt the following changes in his religious creed and practice:—
Jenkins was buried at Bolton-upon-Swale. A handsome pyramid marks his grave, as the oldest Englishman upon record, and in the church is a monument to his memory, with the following inscription, written by Dr. Thomas Chapman:—
Blush not marble!
To rescue from oblivion
The memory of
Henry Jenkins,
A person obscure in birth,
But of a life truly memorable,
For
He was enriched
With the goods of nature
If not of fortune;
And happy
In the duration
If