The Making of an American

Jacob August Riis

Jacob A. Riis

The Making of an American

CHAPTER I

THE MEETING ON THE LONG BRIDGE

On the outskirts of the ancient town of Ribe, on the Danish north seacoast, a wooden bridge spanned the Nibs River when I was a boy—a frail structure, with twin arches like the humps of a dromedary, for boats to go under. Upon it my story begins. The bridge is long since gone. The grass-grown lane that knew our romping feet leads nowhere now. But in my memory it is all as it was that day nearly forty years ago, and it is always summer there. The bees are droning among the forget-me-nots that grow along shore, and the swans arch their necks in the limpid stream. The clatter of the mill-wheel down at the dam comes up with drowsy hum; the sweet smells of meadow and field are in the air. On the bridge a boy and a girl have met.

He whistles a tune, boy-fashion, with worsted jacket slung across his arm, on his way home from the carpenter shop to his midday meal. When she has passed he stands looking after her, all the music gone out of him. At the other end of the bridge she turns with the feeling that he is looking, and, when she sees that he is, goes on with a little toss of her pretty head. As she stands one brief moment there with the roguish look, she is to stand in his heart forever—a sweet girlish figure, in jacket of gray, black-embroidered, with schoolbooks and pretty bronzed boots—

"With tassels!" says my wife, maliciously—she has been looking over my shoulder. Well, with tassels! What then? Did I not worship a pair of boots with tassels which I passed in a shop window in Copenhagen every day for a whole year, because they were the only other pair I ever saw? I don't know—there may have been more; perhaps others wore them. I know she did. Curls she had, too—curls of yellow gold. Why do girls not have curls these days? It is such a rare thing to see them, that when you do you feel like walking behind them miles and miles just to feast your eyes. Too much bother, says my daughter. Bother? Why, I have carried one of your mother's, miss! all these—there, I shall not say how long—and carry it still. Bother? Great Scott!

And is this going to be a love story, then? Well, I have turned it over and over, and looked at it from every angle, but if I am to tell the truth, as I promised, I don't see how it can be helped. If I am to do that, I must begin at the Long Bridge. I stepped on it that day a boy, and came off it with the fixed purpose of a man. How I stuck to it is part of the story—the best part, to my thinking; and I ought to know, seeing that our silver wedding comes this March. Silver wedding, humph! She isn't a week older than the day I married her—not a week. It was all in the way of her that I came here; though at the time I am speaking of I rather guessed than knew it was Elizabeth. She lived over there beyond the bridge. We had been children together. I suppose I had seen her a thousand times before without noticing. In school I had heard the boys trading in her for marbles and brass buttons as a partner at dances and games—generally trading off the other girls for her. She was such a pretty dancer! I was not. "Soldiers and robbers" was more to my taste. That any girl, with curls or without, should be worth a good marble, or a regimental button with a sound eye, that could be strung, was rank foolishness to me until that day on the bridge.

And now I shall have to recross it after all, to tell who and what we were, that we may start fair. I shall have to go slow, too, for back of that day everything seems very indistinct and strange. A few things stand out more clearly than the rest. The day, for instance, when I was first dragged off to school by an avenging housemaid and thrust howling into an empty hogshead by the ogre of a schoolmarm, who, when she had put the lid on, gnashed her yellow teeth at the bunghole and told me that so bad boys were dealt with in school. At recess she had me up to the pig-pen in the yard as a furt