The Bronze Eagle: A Story of the Hundred Days
Emma Orczy
Emmuska Orczy, Baroness Orczy
The Bronze Eagle: A Story of the Hundred Days
THE LANDING AT JOUAN
The perfect calm of an early spring dawn lies over headland and sea—hardly a ripple stirs the blue cheek of the bay. The softness of departing night lies upon the bosom of the Mediterranean like the dew upon the heart of a flower.
A silent dawn.
Veils of transparent greys and purples and mauves still conceal the distant horizon. Breathless calm rests upon the water and that awed hush which at times descends upon Nature herself when the finger of Destiny marks an eventful hour.
But now the grey and the purple veils beyond the headland are lifted one by one; the midst of dawn rises upwards like the smoke of incense from some giant censers swung by unseen, mighty hands.
The sky above is of a translucent green, studded with stars that blink and now are slowly extinguished one by one: the green has turned to silver, and the silver to lemon-gold: the veils beyond the upland are flying in the wake of departing Night.
The lemon-gold turns to glowing amber, anon to orange and crimson, and far inland the mountain peaks, peeping shyly through the mist, blush a vivid rose to find themselves so fair.
And to the south, there where fiery sea blends and merges with fiery sky, a tiny black speck has just come into view. Larger and larger it grows as it draws nearer to the land, now it seems like a bird with wings outspread—an eagle flying swiftly to the shores of France.
In the bay the fisher folk, who are making ready for their day's work, pause a moment as they haul up their nets: with rough brown hands held above their eyes they look out upon that black speck—curious, interested, for the ship is not one they have seen in these waters before.
"'Tis the Emperor come back from Elba!" says someone.
The men laugh and shrug their shoulders: that tale has been told so often in these parts during the past year: the good folk have ceased to believe in it. It has almost become a legend now, that story that the Emperor was coming back—their Emperor—the man with the battered hat and the grey redingote: the people's Emperor, he who led them from victory to victory, whose eagles soared above every capital and every tower in Europe, he who made France glorious and respected: her citizens, men, her soldiers, heroes.
And with stately majesty the dawn yields to day, the last tones of orange have faded from the sky: it is once more of a translucent green merging into sapphire overhead. And the great orb in the east rises from out the trammels of the mist, and from awakening Earth and Sea comes the great love-call, the triumphant call of Day. And far away upon the horizon to the south, the black speck becomes more distinct and more clear; it takes shape, substance, life.
It divides and multiplies, for now there are three or four specks silhouetted against the sky—not three or four, but five—no! six—no! seven! Seven black specks which detach themselves one by one, one from another and from the vagueness beyond—experienced eyes scan the horizon with enthusiasm and excitement which threaten to blur the clearness of their vision. Anyone with an eye for sea-going craft can distinguish that topsail-schooner there, well ahead of the rest of the tiny fleet, skimming the water with swift grace, and immediately behind her the three-masted polacca—hm! have we not seen her in these waters before?—and the two graceful feluccas whose lateen sails look so like the outspread wings of a bird!
But it is on the schooner that all eyes are riveted now: she skips along so fast that within an hour her pennant is easily distinguishable—red and white! the flag of Elba, of that diminutive toy-kingdom which for the past twelve months has been ruled over by the mightiest conqueror this modern world has ever known.
The flag of Elba! then it is the Emperor coming back!
A crowd had gathered on the headland now—a crowd made up of bare-footed fisher-folk, men, women, children, and of the lab