Norine's Revenge, and, Sir Noel's Heir

May Fleming

May Agnes Fleming

Norine's Revenge, and, Sir Noel's Heir

NORINE'S REVENGE

CHAPTER I.

TWO BLACK EYES AND THEIR WORK

The early express train from Montreal to Portland, Maine, was crowded.

Mr. Richard Gilbert, lawyer, of New York, entering five minutes before starting time, found just one seat unoccupied near the door. A crusty old farmer held the upper half, and moved grumpily toward the window, under protest, as Mr. Gilbert took the place.

The month was March, the morning snowy and blowy, slushy and sleety, as it is in the nature of Canadian March mornings to be. The sharp sleet lashed the glass, people shivered in multitudinous wraps, lifted purple noses, over-twisted woolen clouds and looked forlorn and miserable. And Mr. Gilbert, congratulating himself inwardly on having secured a seat by the stove, opened the damp Montreal True Witness, and settled himself comfortably to read. He turned to the leading article, read three lines, and never finished it from that day to this. For the door opened, a howl of March wind, a rush of March rain whirled in, and lifting his eyes, Mr. Richard Gilbert saw in the doorway a new passenger.

The new passenger was a young lady, and the young lady was the prettiest young lady, Mr. Gilbert thought, in that first moment, he had ever seen.

She was tall, she was slim, she was dark, she had long loose, curly black hair, falling to her waist, and two big, bright, black, Canadian eyes, as lovely eyes as the wide earth holds. She stood there in the doorway, faltering, frightened, irresolute, a very picture – the color coming and going in the youthful, sensitive face, the luminous brown eyes glancing like the eyes of a startled bird. She stood there, laden with bundles, bandboxes, and reticules, and holding a little blinking spaniel by a string.

Every seat was filled, no one seemed disposed to dispossess themselves, even for the accommodation of youth and beauty. Only for six seconds, though; then Richard Gilbert, rose up, and quietly, and, as a matter of course, offered his seat to the young lady. She smiled – what a smile it was, what a bright little row of teeth it showed, dimpled, blushed – the loveliest rose-pink blush in the world, hesitated, and spoke:

"But, monsieur!" in excellent English, set to a delicious French accent. "But, monsieur will have no place."

"Monsieur will do very well. Oblige me, mademoiselle, by taking this seat."

"Monsieur is very good. Thanks."

She fluttered down into the seat, and Mr. Gilbert disposed of the many bundles and boxes and bags on the rack overhead. He was smiling a little to himself as he did so; the role of lady's man was quite a new one in this gentleman's cast in the great play of Life. The grumpy old farmer, with a grunt of disapprobation, edged still further up to the window.

"Monsieur can sit on the arm of the seat," suggests the young lady, glancing up with a pretty girl's glance – half shy, half coquettish; "it is so very fatiguing to stand."

Monsieur avails himself of the offer immediately, and finds he is in an excellent position to examine that very charming face. But he does not examine it: he is not one of your light-minded, mustache-growing, frivolous-headed youths of three-or-four-and-twenty, to whom the smiling face of a pretty girl is the most fascinating object under heaven.

Mr. Gilbert casts one look, only one, then draws forth the True Witness and buries himself in the leading article. The last bell rings, the whistle shrieks, a plunge, a snort, and they are rushing madly off into the wild March morning. The young lady looks about her, the grumpy farmer is between her and the window, the window is all blurred and blotted; Mr. Gilbert is fathoms deep in his paper. She gives a little sigh, then lifts her small dog up in her lap, and begins an animated conversation with him in French. Frollo understands Canadian French, certainly not a word of English, and he blinks his watery eyes, and listens sagaciously to it all. The farmer looks askance, and grunts like one