The Five Knots

Fred Fred

Fred M. White

The Five Knots

CHAPTER I

NO BIGGER THAN A MAN'S HAND

Something like a shadow seemed to flicker across the dim hall and then the strange visitant was lost to view. But was it substantial, real and tangible, or only the creature of the imagination? For at half-past four on a December afternoon, before the lamps are lighted one might easily be deceived, especially in an old place like Maldon Grange, the residence of Samuel Flower, the prosperous ship-owner. Some such thought as this flashed through Beatrice Galloway's mind and she laughed at her own fears. Doubtless it was all imagination. Still, she could not divest herself of the impression that a man had flitted quietly past her and concealed himself behind the banks of palms and ferns in the conservatory.

"How silly I am!" she murmured. "Of course there can be nobody there. But I should like – "

A footman entered and flashed up the score or so of lights in the big electrolier and Beatrice Galloway's fears vanished. Under such a dazzling blaze it was impossible to believe that she had seen anybody gliding towards the conservatory. Other lights were flashing up elsewhere, and all the treasures which Mr. Flower had gathered at Maldon Grange were exposed to the glance of envy or admiration. Apparently nothing was lacking to make the grand house absolutely perfect. Not that Samuel Flower cared for works of art and beauty, except in so far as they advertised his wealth and financial standing. Nothing in the mansion had been bought on his own responsibility or judgment. He had gone with open cheque-book to a famous decorative artist and given him carte blanche to adorn the house. The work had been a labour of love on the part of the artist, so that, in the course of time, Maldon Grange had become a show-place and the subject of eulogistic notices in the local guide-books. Some there were who sneered at Samuel Flower, saying there was nothing that interested him except a ship, and that if this same ship were unseaworthy and likely to go to the bottom when heavily over-insured, then Flower admired this type of craft above all others. The reputation of the Flower Line was a bad one in the City and amongst sea-faring men. People shook their heads when Flower's name was mentioned, but he was too big and too rich and too vindictive for folk to shout their suspicions on the housetops. For the rest of it, Flower stuck grimly to his desk for five days in the week, spending the Saturday and Sunday at Maldon Grange, where his niece, Beatrice Galloway, kept house for him.

Beatrice loved the place. She had watched it grow from a bare, brown shell to a bewitching dream of artistic beauty. Perhaps in all the vast establishment she liked the conservatory best. It was a modest name to give the superb winter garden which led out of the great hall. The latter structure had been the idea of the artist, and under his designs a dome-like fabric had arisen, rich with stained glass and marble and filled now with the choicest tropical flowers, the orchids alone being worth a fortune. From the far end a covered terrace communicated with the rose garden, which even at this time of year was so sheltered that a few delicate blooms yet remained. The orchids were Beatrice's special care and delight, and for the most part she tended them herself. She had quite forgotten her transient alarm. Her mind was full of her flowers to the exclusion of everything else. She stood amongst a luxuriant tangle of blossoms, red and gold and purple and white, hanging in dainty sprays like clouds of brilliant moths.

By and by Beatrice threw herself down into a seat to contemplate the beauty of the scene. The air was warm and languid as befitted those gorgeous flowers, and she felt half disposed to sleep as she lay in her comfortable chair. There would be plenty to do presently, for Flower was entertaining a large dinner party, and afterwards there was to be a reception of the leading people in the neighbourhood. Gradually the warmth of the pl