Heart's Kindred

Zona Gale

Zona Gale

Heart's Kindred

I

A hut of bark, thatched with palm-leaves; a gigantic rock at whose base lay old ashes; an open grassy space bordering a narrow mountain stream, and a little garden – these made the home of the Inger, where a man might live and die as a man was meant, neither planning like a maniac nor yet idling like an idiot, but well content with what the day brought forth.

Toward a June sunset, the Inger sat outside his doorway, fashioning a bowl from half a turtle shell. Before him the ground sloped down to the edge of the garden, and beyond dropped to the clearing’s edge. When he lifted his eyes, he could look for miles along thick tops of live oaks and larches, and beyond to a white line of western sea. At his back rose the foothills, cleft by cañons still quite freshly green. Above them, the monstrous mountains swept the sky, and here their flanks were shaggy with great pines. The whole lay now in that glory of clear yellow by which the West gives to the evenings some hint of a desert ancestry.

The Inger worked in silence. He was not a man to sing or whistle – those who live alone are seldom whistling men. Perhaps the silence becomes something definite, and not lightly to be shattered. A man camping alone will work away quietly day-long – and his dog understands. The Inger had no dog any more. He had owned a wolf hound whom, in a fit of passion, he had kicked so that the dog had died. And such was his remorse that he would own no other, and the sight of another man’s dog pulled at him as at an old wound.

It was so still that, presently, in that clear air the sound of a bell in the valley came up to him with distinctness. He looked to the south, and in a deep place in the trees, already lights twinkled out as if they, like the bells, would announce something. The Inger remembered and understood.

“Hell,” he said aloud. “The wedding.”

He went on scraping at his turtle shell, his mind on the man who would be married that night – early, so that there would be ample time for much merrymaking and drunkenness before the east bound train at midnight. Bunchy Haight was the man, the owner of the run-down inn in the village of Inch. The woman was the Moor girl, whose father, abetted by the Inger himself, had killed a sheriff or two for interfering with his gambling place and had gone free, because no one was sure whether it was he or the Inger who did the shooting. Moor’s promissory notes had been accumulating in the hands of Bunchy Haight for a dozen years, and it was no secret that the wedding settled the long score.

“And in dead luck to get a good provider like Bunchy, the Moor girl is,” was the way Inch took it.

Inch welcomed a wedding. In the old days it had been different, and nobody cared whether anybody had a wedding or not. For then there had been a race track at Inch, and a summer hotel, and a fine glass-front showing of saloons, and other magnificence. With the passing of the California law, the track had been closed, the resort keepers had moved away, and the bottom had fallen from Inch.

Mothers amused their children by telling of the traps and the four-in-hands and the tally-ho’s with rollicking horns, and the gaily dressed strangers who used to throng the town for a fortnight in Spring and in Autumn, when Inch knew no night and no darkness and no silence, and abundantly prospered.

Now all this was changed. There were, literally, no excitements save shootings and weddings. Jem Moor, being supposed to have achieved his share of the former, was prepared further to adorn his position by setting up drinks for the whole village and all strangers, to celebrate his daughter’s nuptial day.

These things the Inger turned over in his mind as he scraped away at his shell; and when the dark had nearly fallen, he rose, shook out from the shell the last fragments, polished it with his elbow, balanced it between his hands to regard it, and came to his conclusion:

“Hell,” he said again, “I’m bust if I don’t go to it.”

The next instant