Friendship Village

Zona Gale

Zona Gale

Friendship Village

I

THE SIDE DOOR

It is as if Friendship Village were to say: —

"There is no help for it. A telephone line, antique oak chairs, kitchen cabinets, a new doctor, and the like are upon us. But we shall be mediæval directly – we and our improvements. Really, we are so now, if you know how to look."

And are we not so? We are one long street, rambling from sun to sun, inheriting traits of the parent country roads which we unite. And we are cross streets, members of the same family, properly imitative, proving our ancestorship in a primeval genius for trees, or bursting out in inexplicable weaknesses of Court-House, Engine-House, Town Hall, and Telephone Office. Ultimately our stock dwindles out in a slaughter-yard and a few detached houses of milkmen. The cemetery is delicately put behind us, under a hill. There is nothing mediæval in all this, one would say. But then see how we wear our rue: —

When one of us telephones, she will scrupulously ask for the number, not the name, for it says so at the top of every page. "Give me one-one," she will put it, with an impersonality as fine as if she were calling for four figures. And Central will answer: —

"Well, I just saw Mis' Holcomb go 'crost the street. I'll call you, if you want, when she comes back."

Or, "I don't think you better ring the Helmans' just now. They were awake 'most all night with one o' Mis' Helman's attacks."

Or, "Doctor June's invited to Mis' Sykes's for tea. Shall I give him to you there?"

The telephone is modern enough. But in our use of it is there not a flavour as of an Elder Time, to be caught by Them of Many Years from Now? And already we may catch this flavour, as our Britain great-great-lady grandmothers, and more, may have been conscious of the old fashion of sitting in bowers. If only they were conscious like that! To be sure of it would be to touch their hands in the margins of the ballad books.

Or we telephone to the Livery Barn and Boarding Stable for the little blacks, celebrated for their self-control in encounters with the Proudfits' motor-car. The stable-boy answers that the little blacks are at "the funeral." And after he has gone off to ask his employer what is in then, the employer, who in his unofficial moments is our neighbour, our church choir bass, our landlord even, comes and tells us that, after all, we may have the little blacks, and he himself brings them round at once, – the same little blacks that we meant all along. And when, quite naturally, we wonder at the boy's version, we learn: "Oh, why, the blacks was standin' just acrost the street, waitin' at the church door, hitched to the hearse. I took 'em out an' put in the bays. I says to myself: 'The corp won't care.'" Someway the Proudfits' car and the stable telephone must themselves have slipped from modernity to old fashion before that incident shall quite come into its own.

So it is with certain of our domestic ways. For example, Mis' Postmaster Sykes – in Friendship Village every woman assumes for given name the employment of her husband – has some fine modern china and much solid silver in extremely good taste, so much, indeed, that she is wont to confess to having cleaned forty, or sixty, or seventy-five pieces – "seventy-five pieces of solid silver have I cleaned this morning. You can say what you want to, nice things are a rill care." Yet – surely this is the proper conjunction – Mis' Sykes is currently reported to rise in the night preceding the days of her house cleaning, and to take her carpets out in the back yard, and there softly to sweep and sweep them so that, at their official cleaning next day, the neighbours may witness how little dirt is whipped out on the line. Ought she not to have old-fashioned silver and egg-shell china and drop-leaf mahogany to fit the practice? Instead of daisy and wild-rose patterns in "solid," and art curtains, and mission chairs, and a white-enamelled refrigerator, and a gas range.

We have the latest funeral equipment, – black broadcloth-cov