Moods

Louisa Alcott

Alcott Louisa May

Moods

"Life is a train of moods like a string of beads; and as we pass through them they prove to be many colored lenses, which paint the world their own hue, and each shows us only what lies in its own focus."

В В В В Emerson.

CHAPTER I.

IN A YEAR

The room fronted the west, but a black cloud, barred with red, robbed the hour of twilight's tranquil charm. Shadows haunted it, lurking in corners like spies set there to watch the man who stood among them mute and motionless as if himself a shadow. His eye turned often to the window with a glance both vigilant and eager, yet saw nothing but a tropical luxuriance of foliage scarcely stirred by the sultry air heavy with odors that seemed to oppress not refresh. He listened with the same intentness, yet heard only the clamor of voices, the tramp of feet, the chime of bells, the varied turmoil of a city when night is defrauded of its peace by being turned to day. He watched and waited for something; presently it came. A viewless visitant, welcomed by longing soul and body as the man, with extended arms and parted lips received the voiceless greeting of the breeze that came winging its way across the broad Atlantic, full of healthful cheer for a home-sick heart. Far out he leaned; held back the thick-leaved boughs already rustling with a grateful stir, chid the shrill bird beating its flame-colored breast against its prison bars, and drank deep draughts of the blessed wind that seemed to cool the fever of his blood and give him back the vigor he had lost.

A sudden light shone out behind him filling the room with a glow that left no shadow in it. But he did not see the change, nor hear the step that broke the hush, nor turn to meet the woman who stood waiting for a lover's welcome. An indefinable air of sumptuous life surrounded her, and made the brilliant room a fitting frame for the figure standing there with warm-hued muslins blowing in the wind. A figure full of the affluent beauty of womanhood in its prime, bearing unmistakable marks of the polished pupil of the world in the grace that flowed through every motion, the art which taught each feature to play its part with the ease of second nature and made dress the foil to loveliness. The face was delicate and dark as a fine bronze, a low forehead set in shadowy waves of hair, eyes full of slumberous fire, and a passionate yet haughty mouth that seemed shaped alike for caresses and commands.

A moment she watched the man before her, while over her countenance passed rapid variations of pride, resentment, and tenderness. Then with a stealthy step, an assured smile, she went to him and touched his hand, saying, in a voice inured to that language which seems made for lovers' lips —

"Only a month betrothed, and yet so cold and gloomy, Adam!"

With a slight recoil, a glance of soft detestation veiled and yet visible, Warwick answered like a satiric echo —

"Only a month betrothed, and yet so fond and jealous, Ottila!"

Unchilled by the action, undaunted by the look, the white arm took him captive, the beautiful face drew nearer, and the persuasive voice asked wistfully —

"Was it of me you thought when you turned with that longing in your eye?"

"No."

"Was it of a fairer or a dearer friend than I?"

"Yes."

The black brows contracted ominously, the mouth grew hard, the eyes glittered, the arm became a closer bond, the entreaty a command.

"Let me know the name, Adam."

"Self-respect."

She laughed low to herself, and the mobile features softened to their former tenderness as she looked up into that other face so full of an accusing significance which she would not understand.

"I have waited two long hours; have you no kinder greeting, love?"

"I have no truer one. Ottila, if a man has done unwittingly a weak, unwise, or wicked act, what should he do when he discovers it?"

"Repent and mend his ways; need I tell you that?"

"I have repented; will you help me mend my ways?"

"Confess, dear sinner; I will sh