The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 545, May 5, 1832
Various
Various
The Mirror of Literature, Amusement, and Instruction / Volume 19, No. 545, May 5, 1832
ZOOLOGICAL GARDENS, REGENTS'S PARK
Emu Enclosure
Pelican Enclosure
Aviary for Small Birds
Our strolls to this scene of intellectual amusement, (or "the gardens with a long name," as Lord Mulgrave's new heroine naively calls them,) are neither few nor far between. The acquaintance is of some standing, since The Mirror was the first journal that contained any pictorial representation of these Gardens, or any connected notice of the animals.[1 - The Literary Gazette first published the Ground Plan of the Zoological Gardens, from a lithograph circulated among the members, towards the close of the year 1827. In seeking to do ourselves justice, we must not forget others. Our first Engraving, a Bird's Eye View of the Gardens from an original sketch, appeared in No. 330, of The Mirror, September 6, 1828.] At that time the Society had not published their "List," and our twopenny guide was common in the hands of visiters. We do not ask for the thanks of the Council in contributing to their annual receipts, now usually amounting to ВЈ10,000.: we were studying the interest of our readers, which uniformly brings its own reward. The first of the present illustrations is the Emu Enclosure, in the old Garden. Several broods of Emus have been reared by the Society at their Farm at Kingston Hill; and some of the year's birds are usually exhibited here. Next is the Pelican Enclosure, containing a house of mimic rock-work, and a capacious tank of water, the favourite element of the Pelican. One pair in mature plumage, and a second pair, supposed to be the young of the same species, are exhibited. The third Cut is the Aviary for small and middle-sized birds, at the north-eastern corner of the Garden. Here are kept various British Birds, as the different species of Crows and Song Birds. The bamboo ornaments of the building are not, therefore, of the appropriate character that we so much admire elsewhere in the Gardens.
"Happy Jerry"
The individual with this felicitous soubriquet, was a specimen of the great Mandrill Baboon, in its adult state, the Papio Maimon of Geoffrey, and the Cynocephalus Maimon of Desmarest. It is a native of the Gold Coast and Guinea, in Africa, where whole droves of them often plunder the orchards and vineyards. Their colours are greyish brown, inclining to olive above; the cheeks are blue and furrowed, and the chin has a sharp-pointed orange beard; the nose grows red, especially towards the end, where it becomes of a bright scarlet. Such are, however, only the colours of the adult animal; the young differs materially, on which account it has been considered by naturalists as a distinct species.
Jerry is now a member of death's "antic court," but his necrology may be interesting to the reader. Mr. Cross describes him as "from on board a slave vessel that had been captured off the Gold Coast, in the year 1815," when he was supposed to be three years old. He was landed at Bristol, and was there purchased by the proprietor of a travelling menagerie, who kept him for some years, and taught him the various accomplishments he after excelled in, as sitting in a chair, smoking, drinking grog, &c.; probably he required but little tuition in the latter; since we find a fondness for fermented liquors numbered among his habits by the biographers of his species. In 1828, Jerry was purchased by Mr. Cross, and exhibited at the King's Mews, when he appeared in full vigour, and attracted a large number of daily visitors. He was fed daily from the table of his owner, and almost made a parlour guest; taking tea, toast, bread and butter, soup, boiled and roast meats, vegetables, pastry, &c., with as much gout as any member of a club in his vicinity. In 1829, his eccentricities reached the royal ear at Windsor, and George the Fourth, (whose partiality to exotics, animate or inanimate, was well known,) sent an "express command" that Jerry sho