The Runaways: A New and Original Story

Nat Gould

Nat Gould

The Runaways: A New and Original Story

NAT GOULD: AN APPRECIATION

NAT GOULD'S novels of the Turf are read and enjoyed by multitudes of men and women all over the world. That in itself is a guarantee of literary merit. Had he been a stylist, the sale of his hundred odd books would never have run into a score of millions. He wrote to please and not to puzzle, to give pleasure and not to educate, and his reward came in the gratitude of a host of admirers of clean, healthy fiction.

His main theme was the King of Sports and the Sport of Kings. Nat Gould dearly loved a horse, and so does the great British public, including those who have no liking for racing. It is a characteristic as national as our admiration of ships, sailors and the sea. The theme fascinated him, and, combined with a gift for writing, was one of the secrets of his success. Another reason for his almost boundless popularity is to be found in the "atmosphere" of his stories, which is created without elaborate literary setting. The machinery of it is hidden by reason of its very artlessness. The romance is told in a plain, straightforward way that carries intense conviction, and though the plots are neither subtle nor involved, they are unfolded in so vigorous and lifelike a manner that few people who pick up one of Nat Gould's novels are able to put it down before having finished the last chapter. Few modern writers can boast that they are read and understood at a single sitting.

His novels ring true. They are clean, manly and sincere. There is nothing vicious about them. As The Times truly said of Nat Gould in its obituary notice of him, "He must have written some millions of words, but few of them were wasted, if a rattling good story makes a reader happier and more contented for having read it."

Such praise is praise indeed, for literature that is involved and appeals to a select few obviously cannot have the influence of literature that embraces so large a section of the population. To have added to the enjoyment of so vast a number of young and old, rich and poor, were a monument worthy of any man.

Nathaniel Gould was born in Manchester in 1857, and died in 1919. His wide experience as a journalist in England and Australia doubtless explained his methods of rapid workmanship, while his travels in the Antipodes and elsewhere afforded him that "local colour" which is not the least pleasing characteristic of his novels. He not only wrote of outdoor life, but enjoyed it, for racing, driving and gardening were his hobbies.

В В В В E. LATON BLACKLANDS.

CHAPTER I

AS THE SNOW FALLS

Redmond Maynard stood at the dining-room window gazing at the deep-dyed reflection upon the snow of the blood-red setting sun. The leafless trees, with their gnarled trunks and gaunt, twisted branches, spreading fiercely in imprecation at the hardness of their lot, resembled giant monsters from an unknown world. These diseased protruding growths put on all manner of fantastic shapes, as his eyes dwelt first upon one, then upon another. It was the shortening winter's day drawing near a close, and a spirit of melancholy brooded over the landscape. On such an evening as this, the thoughts of thinking men are apt to draw comparisons which bring vividly before them the uncertainty of life, and the prospects of that something after death which has never been understood, never will be, until each one solves the problem by going out into the eternal night.

It seemed to Redmond Maynard that he was peering into a mystery he had no hope of solving. He was not a godless man, neither was he a man whose life had been altogether well spent. His mistakes had been many; he acknowledged this, and thereby robbed his detractors of selfish victories. Slowly the sun sank, and as it dipped lower and lower into obscurity the red shadows on the snow grew fainter, the harshness melted, and a gentle warmth seemed to mingle with the biting cold. The glow remained some time after the sun had