Self-control: A Novel
Mary Brunton
Mary Brunton
Self-control: A Novel
His warfare is within. – There unfatigued
His fervent spirit labours. – There he fights,
And there obtains fresh triumphs o'er himself,
And never-withering wreaths, compared with which
The laurels that a Caesar reaps are weeds
В В В В Cowper
TO
MISS JOANNA BAILLIE
Madam,
You would smile to hear the insect of a day pay the tribute of its praise to the lasting oak which aided its first feeble soaring – Smile then; – for a person whom nature, fortune, and inclination, alike, have marked for obscurity, one whose very name may never reach your ear, offers this tribute of respect to the author of Plays on the Passions.
The pleasure of expressing heart-felt admiration is not, however, my only motive for inscribing this tale to you. Unknown to the world both as an individual and as an author, I own myself desirous of giving a pledge of spotless intention in my work, by adorning it with the name of one whose writings force every unvitiated heart to glow with a warmer love of virtue. On one solitary point I claim equality with you: – In purity of intention I yield not even to Joanna Baillie.
May I venture to avow another feeling which has prompted this intrusion? What point so small that vanity cannot build on it a resting-place! Will you believe that this trifle claims affinity with the Plays on the Passions? – Your portraitures of the progress and of the consequences of passion, – portraitures whose exquisite truth gives them the force of living examples, – are powerful warnings to watch the first risings of the insidious rebel. No guard but one is equal to the task. The regulation of the passions is the province, it is the triumph of Religion. In the character of Laura Montreville the religious principle is exhibited as rejecting the bribes of ambition; bestowing fortitude in want and sorrow; as restraining just displeasure; overcoming constitutional timidity; conquering misplaced affection; and triumphing over the fear of death and of disgrace.
This little tale was begun at first merely for my own amusement. It is published that I may reconcile my conscience to the time which it has employed, by making it in some degree useful. Let not the term so implied provoke a smile! If my book is read, its uses to the author are obvious. Nor is a work of fiction necessarily unprofitable to the readers. When the vitiated appetite refuses its proper food, the alternative may be administered in a sweetmeat. It may be imprudent to confess the presence of the medicine, lest the sickly palate, thus warned, turn from it in loathing. But I rely in this instance on the world of the philosopher, who avers that 'young ladies never read prefaces'; and I am not without hope, that with you, and with all who form exceptions to this rule, the avowal of a useful purpose may be an inducement to tolerate what otherwise might be thought unworthy of regard.
Perhaps in an age whose lax morality, declining the glorious toils of virtue, is poorly 'content to dwell in decencies for ever', emulation may be repressed by the eminence which the character of Laura claims over the ordinary standard of the times. A virtue which, though essentially Christian, is certainly not very popular in this Christian country, may be stigmatized as romantic; a chilling term of reproach, which has blighted many a fair blossom of goodness ere it ripened into fruit. Perhaps some of my fair countrywomen, finding it difficult to trace in the delineation of Self-Control any striking feature of their own minds, may pronounce my picture unnatural. It might be enough to reply, that I do not ascribe any of the virtues of Laura to nature, and, least of all, the one whose office is to regulate and control nature. But if my principal figure want the air, and vivacity of life, the blame lies in the painter, not in the subject. Laura is indebted to fancy for her drapery and attitudes alone. I have had the happiness of witnessing, in real life, a self-command operating with as much f