A Kentucky Cardinal

James Allen

James Lane Allen

A Kentucky Cardinal: A Story

Dedication

This to her from one who in childhood used to stand at the windows of her room and watch for the Cardinal among the snow-buried cedars.

I

All this New-year's Day of 1850 the sun shone cloudless but wrought no thaw. Even the landscapes of frost on the window-panes did not melt a flower, and the little trees still keep their silvery boughs arched high above the jeweled avenues. During the afternoon a lean hare limped twice across the lawn, and there was not a creature stirring to chase it. Now the night is bitter cold, with no sounds outside but the cracking of the porches as they freeze tighter. Even the north wind seems grown too numb to move. I had determined to convert its coarse, big noise into something sweet—as may often be done by a little art with the things of this life—and so stretched a horse-hair above the opening between the window sashes; but the soul of my harp has departed. I hear but the comfortable roar and snap of hickory logs, at long intervals a deeper breath from the dog stretched on his side at my feet, and the crickets under the hearth-stones. They have to thank me for that nook. One chill afternoon I came upon a whole company of them on the western slope of a woodland mound, so lethargic that I thumped them repeatedly before they could so much as get their senses. There was a branch near by, and the smell of mint in the air, so that had they been young Kentuckians one might have had a clew to the situation. With an ear for winter minstrelsy, I brought two home in a handkerchief, and assigned them an elegant suite of apartments under a loose brick.

But the finest music in the room is that which streams out to the ear of the spirit in many an exquisite strain from the hanging shelf of books on the opposite wall. Every volume there is an instrument which some melodist of the mind created and set vibrating with music, as a flower shakes out its perfume or a star shakes out its light. Only listen, and they soothe all care, as though the silken-soft leaves of poppies had been made vocal and poured into the ear.

Towards dark, having seen to the comfort of a household of kind, faithful fellow-beings, whom man in his vanity calls the lower animals, I went last to walk under the cedars in the front yard, listening to that music which is at once so cheery and so sad—the low chirping of birds at dark winter twilights as they gather in from the frozen fields, from snow-buried shrubbery and hedge-rows, and settle down for the night in the depths of the evergreens, the only refuge from their enemies and shelter from the blast. But this evening they made no ado about their home-coming. To-day perhaps none had ventured forth. I am most uneasy when the red-bird is forced by hunger to leave the covert of his cedars, since he, on the naked or white landscapes of winter, offers the most far-shining and beautiful mark for Death. I stepped across to the tree in which a pair of these birds roost and shook it, to make sure they were at home, and felt relieved when they fluttered into the next with the quick startled notes they utter when aroused.

The longer I live here, the better satisfied I am in having pitched my earthly camp-fire, gypsylike, on the edge of a town, keeping it on one side, and the green fields, lanes, and woods on the other. Each, in turn, is to me as a magnet to the needle. At times the needle of my nature points towards the country. On that side everything is poetry. I wander over field and forest, and through me runs a glad current of feeling that is like a clear brook across the meadows of May. At others the needle veers round, and I go to town—to the massed haunts of the highest animal and cannibal. That way nearly everything is prose. I can feel the prose rising in me as I step along, like hair on the back of a dog, long before any other dogs are in sights. And, indeed, the case is much that of a country dog come to town, so that growls are in order at every corner. The only being in the univ