Genius in Sunshine and Shadow

Maturin Ballou

Ballou Maturin Murray

Genius in Sunshine and Shadow

PREFACE

The volume in hand might perhaps better have been entitled "Library Notes," as the pages are literally the gathered notes of the author's library-hours. The reader will kindly peruse these pages remembering that they assume only to be the gossip, as it were, of the author with himself, – notes which have grown to these proportions by casual accumulation in the course of other studies, and without consecutive purpose. That these notes thus made have been put into printed form, is owing to the publisher's chance knowledge and hearty approval of them. These few lines are by way, not of apology, – no sensible person ever made an apology, according to Mr. Emerson, – but of introduction; so that the reader may not fancy he is to encounter a labored essay upon the theme suggested by the title of the volume.

These pages may not be without a certain wholesome influence, if, fortunately, they shall incite others to analyze the character of genius as exhibited by the masters of art and literature. The facts alluded to, though familiar to many, are not so to all; wherefore the volume may indirectly promote the knowledge of both history and biography, at the same time leading the thoughtful reader to seek further and more ample information concerning those individuals who are here so briefly introduced.

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CHAPTER I

The ever-flowing tide of time rapidly obliterates the footprints of those whom the world has delighted to honor. While it has caused heroic names, like their possessors, to lapse into oblivion, it has also shrouded many a historical page with the softened veil of distance, like ivy-grown towers, rendering what was once terrible now only picturesque. In glancing back through thousands of years, and permitting the mind to rest on the earliest recorded epochs, one is apt to forget how much human life then, in all its fundamental characteristics, was like our own daily experience. There never was a golden age; that is yet to come. The most assiduous antiquarian has only corroborated the fact that human nature is unchanged. Conventionalities, manners and customs, the fashions, may change, but human nature does not. As an example of the mutability of fame, we have only to ask ourselves what is actually known to-day of Homer,[1 - Goldsmith makes his Chinese philosopher recount the name of Homer as the first poet and beggar among the ancients, – a blind man whose mouth was more frequently filled with verses than with bread.] Aristophanes, and their renowned contemporaries, or even of our more familiar Shakespeare?[2 - Shakespeare's line expired in his daughter's only daughter. Several of the descendants of Shakespeare's sister Joan, bearing a strong family likeness to the great poet, were, so late as 1852, living in and about Stratford, chiefly in a state of indigence.] Of the existence of the first named we have evidence in his two great epics, the Iliad and the Odyssey; but, though deemed the most famous poet that ever lived, we do not even know his birthplace.

"Ten ancient towns contend for Homer dead,

Through which the living Homer begged his bread."

The cautious historian only tells us that he is supposed to have flourished about nine hundred years before the time of Christ; while there are also learned writers who contend that no such person as Homer[3 - I have no doubt whatever that Homer is a mere concrete name for the rhapsodies of the Iliad. Of course there was a Homer, and twenty besides. I will engage to compile twelve books, with characters just as distinct and consistent as those of the Iliad, from the metrical ballads and other chronicles of England, about Arthur and the Knights of the Round Table. —Coleridge.] ever lived, and who attribute the two most famous poems of antiquity to various minstrels or ballad-mongers, who celebrated the "tale of Troy divine" at various periods, and whose songs and legends were fused into