Studies of Travel: Italy
Edward Freeman
Edward A. Freeman
Studies of Travel: Italy
Arezzo
The city of Mæcenas, and of a whole crowd of famous men of later times, shows no outward signs of being much frequented by travellers. There is some difficulty there in getting so much as an Italian newspaper, and, though excellent photographs have been taken of some of the chief buildings, they must be sought for at Florence; they are not to be bought at Arezzo. Yet the old Etruscan city has many attractions, among them surely the singular cleanness of its streets, and, above all, that clear and pure air which is thought to have had something to do with nourishing the genius of so many of its citizens in so many different ways. Perhaps, on the whole, Arezzo does not suffer from not having yet put on the cosmopolitan character of some of its neighbours. And if the city does not, either as Arretium or as Arezzo, stand forth in the first rank of Italian cities, still it has a long history under both forms of its name. If, again, its buildings do not rank with those of Pisa or Lucca, still there is quite enough both in the general aspect of the city, and in some particular objects within its walls, to claim a day or two's sojourn from any one who is not eager to rush from Florence to Rome as fast as the so-called express train can carry him.
Arezzo, as to its physical site, holds a middle position between cities which sit perched on a high hill-top like Fiesole, and cities which, like Florence, lie flat or nearly so on the banks of a great river. It has its river, if we may give that name to the mere brook which presently loses itself in the Chiana, as the Chiana soon loses itself in the Arno. The river too has a bridge, but both river and bridge have to be sought for; they form no important points in the general aspect of the city. The bridge at Arezzo is not one of those to which we instinctively go the first thing to take a general view of the city as a whole. The hill is a more real thing, as any one will say who climbs some of its steeper streets. Still it is one of those hills which seem to borrow height and steepness from the fact of being built upon. If it were covered with green grass, it would simply pass as one of several small hills which break the flat of the rich plain, girded in on all sides by higher mountains, which rise, in February at least, into vast snowy heights in the further distance. Still Arezzo has distinctly the character of a hill city, not of a river city; the hill counts for a good deal, while the river counts for nothing. The best points for a general view from below will be found on the town wall, a little way to the left of the railway station; while to look down on Arezzo we must climb to the castle in the eastern corner of the city, whose Medicean fortifications look strong enough without, but which, within, has gardens and fig trees level with the walls, and rabbits running about at large among them. The castle therefore forms no special object in the general view; it simply passes as a more marked part of the line of the city walls. These last remain in their whole circuit, except where they have been broken down to make the approach to the railway; surely a new gate would have been a better way of compassing this object. A town wall standing free, as those of Arezzo stand in nearly their whole range, is always a striking object, and one whose circuit it is pleasant and instructive to make. And it has a special interest in some cities, of which Arezzo is one, which have, so to speak, a show side. One side lies open to the world; the ancient roads, the modern railway, approach it; the city dies away into the country by gradually descending suburbs. On the other side, the wall suddenly parts the inhabited town, sometimes from actual desolation, at all events from open fields; the hill rises sheer above whatever lies beyond it. So it is with the north-eastern side of Arezzo, if we go behind the cathedral and the castle; we have not fully taken in the lie of the city without taking this walk to