Peace in Friendship Village

Zona Gale

Zona Gale

Peace in Friendship Village

"Whatever comes of it after this [in Russia] every one in the world should be plainly told of what took place in those first weeks. For it was a dazzling revelation of the deep, deep powers for brotherhood and friendliness that lie buried in mankind. I was no dreamer; I was a chemist, a scientist, used to dealing with facts. All my life I had smiled at social dreams as nothing but Utopias. But in those days I was wholly changed, for I could feel beneath my feet this brotherhood like solid ground. There is no end to what men can do – for there is no limit to their good will, if only they can be shown the way."

В В В В Tarasov, in Ernest Poole's "The Village."

"I am the way …"

В В В В Jesus Christ.

NOTE

These stories are told in the words of Calliope Marsh. Wherever I have myself intruded a word, it is with apology to her. I chronicle her stories as faithfully as I am able, faults and all, and, through her, the affairs of the village, reflecting in its small pool the people and the stars.

And always I hear most clearly as her conclusion:

"Life is something other than that which we believe it to be."

В В В В Zona Gale.

Portage, Wisconsin, 1919.

THE FEAST OF NATIONS[1 - Copyright, Red Cross Magazine, April, 1919.]

Three-four of us older ones were down winding up Red Cross, and eight-ten of our daughters were helping; not my daughter – I ain't connect' – but Friendship Village daughters in general. Or I don't know but it was us older ones that were helping them. Anyway, Red Cross was being wound up from being active, and the rooms were going to be rented to a sewing-machine man. And that night we were to have our final entertainment in the Friendship Village Opera House, and we were all going to be in it.

There was a sound from the stairs like something walking with six feet, and little Achilles Poulaki came in. He always stumbled even when there was nothing in sight but the floor – he was that age. He was the Sykeses' grocery delivery boy, that Mis' Sykes thinks is her social secretary as well, and he'd been errand boy for us all day.

"Anything else, Mis' Sykes?" he says.

"I wonder," says Mis' Sykes, "if Killy can't take that basket of cotton pieces down to old Mis' Herman, for her woolen rugs?"

We all thought he could, and some of the girls went to work to find the basket for him.

"Killy," I says, "I hear you can speak a nice Greek piece."

He didn't say anything. He hardly ever did say anything.

"Can you?" I pressed him, because somebody had been telling me that he could speak a piece his Greek grandfather had taught him.

"Yes'm," he says.

"Will you?" I took it further.

"No'm," he says, in exactly the same tone.

"You ought to speak it for me," I said. "I'm going to be Greece in the show to-night."

But they brought the basket then, and he went off with it. He was a little thin-legged chap – such awful thin legs he had, and a pale neck, and cropped hair, and high eyebrows and big, chapped hands.

"Don't you drop it, now!" says Mis' Sykes, that always uses a club when a sliver would do it.

Achilles straightened up his thin little shoulders and threw out his thin little chest, and says he:

"My grandfather was in the gover'ment."

"Go on!" says Mis' Sykes. "In Greece?"

"Sure," he says – which wasn't Greek talk, though I bet Greek boys have got something like it.

Then Achilles was scared to think he'd spoke, and he run off, still stumbling. His father had been killed in a strike in the Friendship mills, and his mother was sick and tried to sew some; and she hadn't nothing left that wasn't married, only Achilles.

The work went on among us as before, only I always waste a lot of time watching the girls work. I love to see girls working together – they seem to touch at things with the tips of their fingers. They remind me of butterflies washing out their own wings. And yet what a lot they could get done, and how capable they got to be. Ina Clare and Irene Ayres and Ruth Holcomb and some more – they were packi