Allan and the Ice-Gods

Генри Райдер Хаггард

Allan Quatermain

This novel is the final volume of the Allan Quatermain saga. Once more Quatermain takes the hallucinogenic taduki drug, as he did in previous novels, and he finds himself reliving as Wi, an civilized man living in the barbaric ice age as part of a clan of cavemen.

The novel has been noted as a treatment of the topics of eugenics and evolution in literature and culture.

H.В Rider Haggard

Allan and the Ice-Gods

A tale of beginnings

A fire mist and a planet, –

A crystal and a cell, –

A jellyfish and a saurian

And caves where the cave men dwell;

Then a sense of law and beauty,

And a face turned from the clod, –

Some call it Evolution And others call it God.

    From “Each In His Own Tongue,” by William Herbert Carruth

В© T8RUGRAM, 2018

В© Original, 2018

Chapter 1

Allan Refuses a Fortune

Had I the slightest qualification for the task, I, Allan Quatermain, would like to write an essay on Temptation.

This, of course, comes to all, in one shape or another, or at any rate to most, for there are some people so colourless, so invertebrate that they cannot be tempted – or perhaps the subtle powers which surround and direct, or misdirect, us do not think them worth an effort. These cling to any conditions, moral or material, in which they may find themselves, like limpets to a rock; or perhaps float along the stream of circumstance like jellyfish, making no effort to find a path for themselves in either case, and therefore die as they have lived – quite good because nothing has ever moved them to be otherwise – the objects of the approbation of the world, and, let us hope, of Heaven also.

The majority are not so fortunate; something is always egging their living personalities along this or that road of mischief. Materialists will explain to us that this something is but the passions inherited from a thousand generations of unknown progenitors who, departing, left the curse of their blood behind them. I, who am but a simple old fellow, take another view, which, at any rate, is hallowed by many centuries of human opinion. Yes, in this matter, as in sundry others, I put aside all the modern talk and theories and am plumb for the good, old-fashioned, and most efficient Devil as the author of our woes. No one else could suit the lure so exactly to the appetite as that old fisherman in the waters of the human soul, who knows so well how to bait his hooks and change his flies so that they may be attractive not only to all fish but to every mood of each of them.

Well, without going further with the argument, rightly or wrongly, that is my opinion.

Thus, to take a very minor matter – for if the reader thinks that these words are the prelude to telling a tale of murder or other great sins he is mistaken – I believe that it was Satan himself, or, at any rate, one of his agents, who caused my late friend, Lady Ragnall, to bequeath to me the casket of the magical herb called Taduki, in connection with which already we had shared certain remarkable adventures.[1 - See the books The Ivory Child and The Ancient Allan.]

Now, it may be argued that to make use of this Taduki and on its wings to be transported, in fact or in imagination, to some far-away state in which one appears for a while to live and move and have one’s being is no crime, however rash the proceeding. Nor is it, since, if we can find new roads to knowledge, or even to interesting imaginings, why should we not take them? But to break one’s word is a crime, and because of the temptation of this stuff, which, I confess, for me has more allurement than anything else on earth, at any rate, in these latter days, I have broken my word.

For, after a certain experience at Ragnall Castle, did I not swear to myself and before Heaven that no power in the world, not even that of Lady Ragnall herself, would induce me again to inhale those timedissolving fumes and look upon that which, perhaps designedly, is hidden from the eyes of man; namely, revealments of his buri